Reference

General

Berger, John., Ways of seeing(c1972), London : British Broadcasting Corporation and Penguin Books,1985 printing. (N7430.5.W39)

(中譯：約翰ž伯格著，戴行銊譯：《觀看之道》，桂林市：廣西師範大學出版社，2005年。)

Everett, Sally. ed., Art theory and criticism : an anthology of formalist, avant-garde, contextualist, and post-modernist thought, Jefferson, N.C. ; London : McFarland, 1991. (NA N71.A7475)

Foster, Hal.& Rosalind Krauss, ART SINCE 1900 Modernism, Antimodernism, Postmodernism, Thames & Hudson, 2004. ()

Frascina, Francis. & Jonathan Harris, Art in Modern Culture: an anthology of critical text, New York : Icon Editions, HarperCollins, 1992. ( N6465.M63A78 1992)

Gee, Malcolm., Art Criticism since 1900, Manchester University Press, 1993. (NA N7475.A78 1993)

Hudson, Suzanne & Nacy Noonan-Morrissey, The art of writing about art, Belmont, CA : Wadsworth/Thomson Learning, c2002. ( N7475 H83 2002)

Nelson, Robert S. & Richard Shiff ed., Critical Terms and Art History, Chicago & London: Chicago University Press, 1996.

Smagula, Howard. ed., Re-visions : new perspectives of art criticism, Englewood Cliffs, N.J. : Prentice Hall, c1991. (NA N7475.R4)

Introduction (week 1)

*Elkins, James., What Happened to Art Criticism, Prickly Paradigm Press, 2003.

Feldman, Edmund Burke., Practical Art Criticism, Prentice Hall, 1991.

〈藝評的荒蕪〉論辯系列。(見附件)

On Art History (week 1 and 2)

Week1

郭繼生著：〈甚麼是藝術史？〉及〈藝術史研究方法之回顧與前瞻〉，《藝術史與藝術批評》，臺北：書林出版有限公司，1990年，頁11-15及176-39。

Week2

Benjamin, Walter: “The Author as Producer”, in W. Benjamin: Understanding Brecht, New Left Books, London:1973, pp. 85-103.

Greenberg, Clement: “Modernist Painting”, in F. Frasscina and C. Harrison (ed.): Modern Art and Modernism, London: Paul Chapman Publishing, 1988, pp. 5-10.

Clarke, David: “Between East and West: Negotiations with Traditions and Modernity in Hong Kong Art”, in D. Clarke: Art and Place, Hong Kong: HKU Press, 1996, pp. 65-84.

*Clarke, David: “The Insufficiency of Tradition: Paintings by Fang Zhaoling and Chu Hing-wah”, in D. Clarke: Art and Place, Hong Kong: HKU Press, 1996, pp. 126-131.

*黎健強著：〈構思精妙，見證時代 - 太空館外的無名展覽〉，見《從過渡跨越千禧——七人視藝評論自選文集》，香港：香港藝術中心，2002年，頁210-211。

*黎健強著：〈非官方與半官方〉，香港《信報》，2005年8月1日。

On Modernism (week 4 and 6)

Baudelaire, Charles., “The Painter of modern life”, The Painter and other essays , New York : Da Capo Press, [1986], c1964. (NA N7445.3.B373)

Clark, T. J., The painting of modern life : Paris in the art of Manet and his followers, London : Thames and Hudson, 1985. ( NA ND550.C55)

(中譯導論：皮力譯：〈繪畫中的道德視角與現代性〉，載任克雷編：《目擊圖象的力量》，深圳：何香凝美術館，2002年，頁3-12 (NA N7485.C6 M84 2003) 。)

*Harrison, Charles, “Modernism”, Nelson, Robert S. & Shiff, Richard ed., Critical Terms and Art History, Chicago & London: Chicago University Press, 1996, pp.142-155.

沈語冰著：《20世紀藝術批評》，杭州市：中國美術學院出版社，2003年

On Feminism (week 7)

*Kelly, Mary., “Re-viewing Modernist Criticism”, Screen, Mar 1981, issue 22, pp. 41-61. (or Mary Kelly, Mary Kelly, Margaret Iversen, Douglas Crimp, Homi K. Bhabha ed., London : Phaidon Press , 1997, pp.112-119.)

*Pollock, Griselda, “Modernity and the space of femininity”, Vision & Difference, Femininity, Feminism and the Histories of Art, London and New York: Routledge, 1988, pp.50-90.

On Ethnography and culture of exhibition (week 7)

Bennett, Tony., The birth of the museum : history, theory, politics, London ; New York : Routledge, 1995. (UL AM7 .B39 1995)

Clifford, James., “Histories of the Tribal and the Modern”, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art, Harvard University Press, pp.189-214. (UL GN308.C55)

Foster, Hal., “The ‘Primitive’ Unconscious of Modern Art”, in Francis Frascina & Jonathan Harris, Art in Modern Culture: an anthology of critical text, New York : Icon Editions, HarperCollins, 1992, pp199-209. (N6465.M63A78 1992)

On Hong Kong (week 8)

Abbas, Ackbar., Culture in a Space of Disappearance, Hong Kong: Culture and the Politics of Disappearance, Hong Kong University Press, pp.1-15.

Clarke, David J. , Hong Kong art : culture and decolonization, London : Reaktion, 2001.

Said, Edward W, “Introduction”, Orientalism, New York: Vintage Books, 1979, pp.1-28.

*香港嶺南學院翻譯系文化/社會研究譯叢編委會：《解殖與民族主義》，香港：牛津大學出版社，1998年。

黎健強主編：《形彩風流：香港視覺文化史話》，香港：三聯書店，2002年。

劉霜陽著：《流動風景─劉霜陽藝術評論集》，香港：青文書屋，1995年。

劉霜陽著：《劉霜陽畫框內外》，香港：田原書屋，1996年。

文潔華著：〈香港繪畫美學與文化身化的反思〉，《思行交匯點─哲學在香港》，香港：青文書屋，1997年，頁205240。

朱琦著：《香港美術史》，香港：三聯書店，2005年。

On China (week 8)

Gao, Minglu ed., Inside out : new Chinese art, San Francisco : San Francisco Museum of Modern Art ; New York : Asia Society Galleries ; Berkeley : University of California Press, c1998.

Han Hanru, Towards an “Un-official Art: De-ideologicalisation of China’s Contemporary Art in the 1990s”, Yu Hsiao-hwei ed., On the Mid-ground, Hou Hanru selected texts, Time Zone 8, 2002, pp.24-39.

Hearn, Maxwell K & Judith G Smith ed., Chinese Art Modern Expression, New York: Metropolitan Museum of Art, 2001.

Noth, Jochen., Wolfger Pohlmann, & Kai Reschke ed., China Avant-Garde, counter-currents in art and culture, Oxford University Press, 1994.

Sullivan, Micheal, Chinese Art in the Twentieth Century, London: Faber & Faber, 1959.

巫鴻編：《重新解讀：中國實驗藝術十年(1990-2000)》，廣州：廣東美術館，2003年。

On New Public Art (week 9)

*Bourdieu, Pierre. and Hans Haacke., Free exchange, Stanford, Calif. : Stanford University Press, 1995.

*Felshin, Nina. ed., But is it art? : the spirit of art as activism, Seattle : Bay Press, c1995

*Lacy, Suzanne., Mapping the terrain : new genre public art, Seattle, Wash. : Bay Press, c1995.

Miles, Malcolm., Art, Space and the city : public art and urban futures, London ; New York : Routledge, 1997.

*馬里塔ž斯特肯著，潘琴譯：〈墻、屏幕和形象：解析越戰老兵悼念碑〉，羅崗、顧錚主編：《視覺文化讀本》，桂林市：廣西師範大學出版社，2003年，頁122-142。

倪再沁著：《藝術反轉：公民美學與公共藝術》，台北：典藏藝術家庭，2005年。

On Photography (week 11)

Burgin, Victor: “Photographic Practice and Art Theory”, in V. Burgin ed.: Thinking Photography, London: Macmillan, 1982, pp.39-83.

Burgin, Victor: “Looking at Photographs”, in V. Burgin (ed.): Thinking Photography, London: Macmillan, 1982, pp. 142-153.

Crimp, Douglas: “The Photographic Activity of Postmodernism”, in D. Crimp: On the Museum’s Ruins, Cambridge: MIT press, 1993, pp. 108-125.

*Szarkowsky, John: “Introduction” in The Photographer’s Eye, London: Secker & Warburg, 1980, unpaginated.

幾米著：《照相本子》，台北：大塊文化，2003年。

*黎健強著：〈不一樣的桃樂菲：「都市印記」的蘇慶強和尹子聰看香港的轉變〉，《PS》，2004年秋季號，頁27-30。

*黎健強著：〈請選擇代表你 / 妳的形象 — 立法會補選候選照片巡禮〉，香港《信報》，2000年12月8日。

On Visual Culture (week 12)

Ball, M. S. (Michael S.) and Gregory W.H. Smith., Analyzing visual data, Newbury Park, Calif. : Sage Publications, c1992, pp. 54-70.

*Collier, John. and Malcolm Collier, Visual anthropology : photography as a research method, Albuquerque : University of New Mexico Press, c1986, pp. 45-63, 77-97.

Crary, Jonathan., Suspensions of perception : attention, spectacle, and modern culture, Cambridge, Mass. : MIT Press, c1999.

Debord, Guy., Society of the spectacle, [S.l] : Rebel Press, 1987.

Urry, John., “The Tourist Gaze", The Tourist Gaze London: SAGE Publications, 2002, pp. 1-15.

周慧玲著：《表演中國：女明星，表演文化，視覺政治，1910-1945》，台北市：麥田出版，2004。

*祈大衛著，鄭威鵬譯：〈記憶與遺忘：回歸期間香港藝術以及公共空間的種種〉，黎健强、梁寶山編：《從過渡跨越千禧——七人視藝評論自選文集》，香港：香港藝術中心，2002年，頁124-126。

黎健強編：《形彩風流：香港視覺文化史話》，香港：三聯書店(香港)有限公司，2002年。

羅崗、顧錚主編：《視覺文化讀本》，桂林市：廣西師範大學出版社，2003年。

*彭麗君著，林榮基譯：〈廣告與近代中國女性消費的再現〉，《媒介擬想》第3期，2005年4月，頁67-83。

曾兆賢著：〈商場研究計劃提綱〉，《E+E》第11期，2004年冬，頁22-27。

*田邁修著，鄭威鵬譯：〈現代都市民間畫〉，黎健强、梁寶山編：《從過渡跨越千禧——七人視藝評論自選文集》，香港：香港藝術中心，2002年，頁23-29。

On Teaching and Assessment of Art Criticism in School (week 13-15)

*黎明海、譚祥安、劉欽棟著：《藝術欣賞・批評與敎育》，香港：香港敎育學院，2001年。

* Key Reference